Italian Embassy Cultural Centre’s Fellini Retrospective: A Curtain Raiser

A Potpourri of Vestiges Feature

Murtaza Ali Khan

Italian Embassy Cultural Centre is hosting a week long Federico Fellini retrospective in collaboration with the India Habitat Centre. As part of the retrospective, eight of Fellini’s best known films will be screened starting with his 1973 Academy Award-winning masterpiece Amarcord on the 23rd of October, 2021. Along with introducing each of the eight films ahead of their respective screenings at the India Habitat Centre, I will also be introducing Fellini to the audiences while touching upon the importance of his films in India.

The legendary master Italian filmmaker Federico Fellini is not just recognized as one of the greatest and most influential filmmakers of all time but also as a great humanist whose life long work stands as a testament to his love for telling universally relevant stories about common people and life in Italy. Despite his origins in Italian Neorealism as a screenwriter for the luminary Italian director Roberto Rossellini, Fellini gradually emerged out of his shadows to carve a niche for herself with films like The White Sheik (1952), I Vitelloni (1953), La Strada (1954), Il Bidone (1955), and Nights of Cabiria (1957). And then he took a huge leap with La Dolce Vita (1960). Not many filmmakers in the world have succeeded in taking such a gigantic leap between films like the one Fellini took with La Dolce Vita.

But what did he do after La Dolce Vita? He made 8 ½ which is another major leap (it’s something that is unheard of except when maybe Ingmar Bergman made Persona). With 8 ½, Fellini catapulted himself to an entirely different level of stardom altogether. The film in many ways also perpetuated the wide usage of the term ‘Felliniesque’ which would become synonymous with any kind of extravagant, fanciful, even baroque imagery in cinema—a sort of a superimposed dreamlike or hallucinatory imagery upon ordinary situations. Contemporary filmmakers like Tim Burton, Terry Gilliam, Emir Kusturica, and David Lynch have cited Fellini's influence on their work. Fellini's influence on Indian cinema is most evident in the works of Indian filmmakers like Mani Kaul (director of films like Duvidha, Uski Roti, Nazar, The Cloud Door, etc) and Kumar Shahani (the director of films like Maya Darpan, Tarang and other movies).

Amarcord, the first film to be screened as part of the retrospective, tells the story about Titta, an adolescent boy growing up among an eccentric cast of characters in a village near the ancient walls of Rimini in 1930s Fascist Italy (Rimini was where Fellini was born and the political turmoil during the rule of the Fascist regime in Italy also had a profound influence on Fellini's life and work). The title basically translates to "I Remember" and aptly so. For, like many films of Fellini's, Amarcord is autobiographical in nature at so many levels. In fact, the character of Titta is based on Fellini’s childhood friend from Rimini who went on to become a lawyer. The two remained good friends all their lives. Amarcord is perhaps the last of Fellini's undisputed masterworks. Even though Fellini would continue to make important films but Amarcord in many ways is the last of his films to receive universal acclaim. It is also the last Fellini film to win the Oscar for the Best Foreign Language Film. The film is particularly noted for its criticism of Fascism as well as the Catholic Church but its comical tone cuts Fellini the slack to unleash a strong critique.

The romantic comedy The White Sheik, which will be screened on October 24, follows Ivan and Wanda who visit Rome for their honeymoon. However, when Wanda suddenly disappears to find the White Sheik, the hero of a soap opera, Ivan struggles to hide it from his family who want to meet his missing bride.

The third film to be screened as part of the retrospective on October 27 is I Vitelloni which presents a character study of five young men at crucial turning points in their lives in a small town in Italy. One of the Italian maestro’s most imitated films, I Vitelloni is said to have inspired directors like Martin, Scorsese, George Lucas, Phillip Kaufman, Barry Levinson, Joel Schumacher, Juan Antonio Bardem, Marco Ferreri, and Lina Wertmüller, among others.

The next film on the lineup is Il Bidone which follows a group of swindlers who dress up as clerics and con poor farmers out of their savings. Il Bidone will be screened on the 28th of October followed by Nights of Cabiria on October 29 and La Dolce Vita on October 30. On the final day of the retrospectively not one but two films will be screened: 8 ½ (1963) and Fellini Satyricon (1969).

The Federico Fellini retrospective was originally scheduled to take place last year, marking the centenary celebrations of the master filmmaker, who was born in Rimini, Italy in the year 1920. But, the retrospective had to be delayed by a year owing to the COVID-19 pandemic.

A version of this review was first published at The Daily Guardian.

Readers, please feel free to share your opinion by leaving your comments. As always your valuable thoughts are highly appreciated 

People who liked this also liked...
Share on Google Plus


Post a Comment

Thanks for sharing for valuable opinion. We would be delighted to have you back.