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Rashomon (1950): Japanese master filmmaker Akira Kurosawa's treatise on the subjectivity of truth

Murtaza Ali Khan 10:55:00 PM 32 Comments Edit

An Akira Kurosawa Japanese film that propounded the Rashomon Effect A Potpourri of Vestiges Review By Murtaza Ali Featured in IMDb ...

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About Author

Murtaza Ali Khan is an independent film critic / journalist based out of New Delhi, India. He has been writing on cinema for over 10 years. He runs the award-winning entertainment blog A Potpourri of Vestiges. He regularly contributes to The Hindu and The Sunday Guardian. He was previously a columnist at Huff Post. He has also contributed to publications like DailyO, Newslaundry, The Quint, Dear Cinema, Desimartini and Jamuura Blog. He regularly appears as a guest panelist on the various television channels and is also associated with radio.

His education spans science, technology, mass communication, and management. But cinema remains his first love. His all-time favorite movie-makers are Akira Kurosawa, Stanley Kubrick, Luis Bunuel, Andrei Tarkovsky, Charles Chaplin, Orson Welles, Federico Fellini, Ingmar Bergman, Satyajit Ray, Fritz Lang, Sergio Leone, Francis Ford Coppola, and Martin Scorsese. He can be reached at murtaza@apotpourriofvestiges.com / murtaza.jmi@gmail.com. He tweets at @MurtazaCritic.

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