A Potpourri of Vestiges Review
Anubhav Sinha's latest film Article 15 revolves around the 'Article 15' of the Indian constitution which prohibits discrimination on the basis of caste, religion, race, gender, or place of birth. The film takes inspiration from true life events, including 2014 Badaun gang rape allegations and 2016 Una flogging incident. Starring Ayushmann Khurrana, Manoj Pahwa, Kumud Mishra, Sayani Gupta, Mohammed Zeeshan Ayyub, and Nassar, Article 15 tells the story of a police officer's fight against the society and the system amidst widespread inequality and prejudice.
Watch our video review of Article 15
About 70 years after India became a Republic, the people are still fighting a battle to attain equality and that’s what makes Article 15 a highly relevant film to the times that we live in. Ayushmann Khurrana further extends the purple patch that he hit starting with Bareilly Ki Barfi and which he carried further with Shubh Mangal Saavdhan, Andhadhun, and Badhaai Ho.He gets solid support from a brilliant support cast well led by Sinha regular Manoj Pahwa who is yet again terrific in a non-comic role. If his portrayal of Bilaal Ali Mohammed in Mulk was his career best performance then his portrayal of a morally corrupt cop in Article 15 is not far behind. Also, Mohammed Zeeshan Ayyub is superb in his extended cameo that’s inspired by the freedom fighter Chandra Shekhar Azad. Among other performers, Kumud Misha deserves a special mention.
Anubhav Sinha’s command over the cinematic medium is evident in each and every scene of Article 15. He directs the film as an atmospheric police procedural and a hard hitting social drama. It is interesting how he chooses to start and end the film. In the film’s opening credits he pays tribute to the one and only Bob Dylan along with five of his favorite directors including Anurag Kashyap and Hansal Mehta. Article 15’s end credits feature a rap number titled ‘Shuru Karein Kya’ featuring Ayushmann Khurrana, Slow Cheeta, Dee MC, Kaam Bhaari, and Spitfire. The film’s cinematography, de-saturated color tone (perhaps to remind that a part of India still lives in the past) and sound design immensely adds to the film’s cinematic appeal. While the film’s entertainment quotient is quite low owing to its serious subject, the dialogues do succeed in packing a punch. If anything, the duration could have been shortened by 15-20 minutes to make the screenplay tighter. But even in its current form, Article 15 is quite watchable and makes for an engaging viewing experience, in particular for those viewers who are looking for something more than just plain escapism in their cinema.
A version of this review was first published in The Sunday Guardian.
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